Showing posts with label nature photography. Show all posts
Showing posts with label nature photography. Show all posts
Wednesday, October 16, 2013
Photographer Daniel Beltra Wins Prestigous Award!
Daniel Beltra was awarded second place in the Wildlife Photographer of the Year competition, which is jointly sponsored by the Natural History Museum in London, England, and the BBC Worldwide. Daniel won for his work for Greenpeace documenting the building of the Belo Monte Dam on the Xingu River in Brazil, which will displace up to 40,000 indigenous people and destroy untold amounts of rainforest and biodiversity. Daniel was born and raised in Spain and now calls Seattle, Washington, home. He has made this his life's work, being a witness to and exposing the damage and destruction that people have brought about in the world, even as he frequently puts his own life at risk. Congratulations, Daniel, and keep up the good work.
Monday, October 7, 2013
Zeiss Introduces a New Normal!
Something interesting has happened to lenses and cameras. It turns out that high-pixel-count digital sensors are a lot more demanding of their lenses than the needs of film ever were, and for most camera companies, their latest camera sensor's resolutions have blown past the ability of their lenses to resolve fine details. In other words, new lenses need to have much higher resolution to match the needs of the digital sensors in the current cameras, not to mention the sensors of the future. For instance, when Nikon introduced the D800 and D800E, they also published a short list of their lenses that would best work with these two cameras. Not all Nikon lenses have the resolving power to take advantage of this new 36 MP sensor.
So this means that lens manufacturers are going back to their drawing boards, or CAD programs, and inventing entirely new lens designs that are able to resolve image details like never before. And Zeiss is one of those companies. Zeiss has created a new lens called the Otus 55mm f/1.4. It's fairly big for a "normal" lens, weighing more than 2 pounds, but it does have 12 elements in 10 groups, so there is a lot of glass in there. Resolution has been optimized across the field of view, even at the open apertures and at any distance. The mechanical construction has been brought to its highest possible standards. Zeiss' goal with this lens was to create the highest quality lens in the world. Only time will tell if they succeeded.
The Zeiss Otus 55mm f/1.4 lens will be available in Nikon and Canon mounts and will sell for just under $4000, which makes it one of the world's most expensive normal lenses. By the way, Otus is the Latin name for a type of owl that has excellent night vision.
So this means that lens manufacturers are going back to their drawing boards, or CAD programs, and inventing entirely new lens designs that are able to resolve image details like never before. And Zeiss is one of those companies. Zeiss has created a new lens called the Otus 55mm f/1.4. It's fairly big for a "normal" lens, weighing more than 2 pounds, but it does have 12 elements in 10 groups, so there is a lot of glass in there. Resolution has been optimized across the field of view, even at the open apertures and at any distance. The mechanical construction has been brought to its highest possible standards. Zeiss' goal with this lens was to create the highest quality lens in the world. Only time will tell if they succeeded.
The Zeiss Otus 55mm f/1.4 lens will be available in Nikon and Canon mounts and will sell for just under $4000, which makes it one of the world's most expensive normal lenses. By the way, Otus is the Latin name for a type of owl that has excellent night vision.
Labels:
Canon,
fine art photography,
landscape photography,
Leica,
nature photography,
Nikon,
Zeiss
Monday, July 1, 2013
Remembering Brett Weston
John Sexton, one of the greatest traditional landscape photographers working today, has posted the first part of a series of videos about Brett Weston on his website. The video features John with photographers Randy Efros and Kim Weston (grandson of Edward Weston, son of Cole Weston, and nephew of Brett Weston) sitting around reminiscing about Brett. You can view the video here and while you are there, you might as well look around and take a look at John's work. He's a very fine photographer.
Brett Weston was a monumentally influential photographer for me. His images were pure photography in a way that not many people have ever achieved. And by that, I mean that his images only really existed to be those black-and-white images. That was their only context for him. His photographs were examples of how he saw the world and what he responded to as he existed and worked in the world. For example, a picture of a leaf was not really a picture of a leaf to him, it was an image of lights and darks, shapes and textures. It was a pure abstraction of the world, breaking it down into its parts and then arranging those parts into an image that resonated for him. Even his nudes were treated in the same way; they were about tones and shapes and composition, not about sexuality or even sensuality, thought he was personally very interested in women. Photographically to him, a mountain was no more significant or beautiful than a piece of melted plastic lying in the street. They were both raw ingredients for his visual imagination.
Brett was also a dedicated photographer who lived to photograph. He printed nearly every day of his life, early in the morning before sunrise, and after breakfast, he would go out and photograph. Photography was his life and nothing ever got in the way of that, and he continued this way nearly up until he died. His dad, Edward, was one of the seminal photographers of the 20th Century and in some respects Brett always worked in his dad's shadow. But for many late 20th Century West Coast landscape photographers, his work was probably the greater influence. His beautifully clear and coolly analytical images guided many photographers' work. And with his penchant for Porsche sport cars and dark sunglasses, he was cool, too. If you are not familiar with Brett Weston's images, take the time and look them up. He's worth it.
Brett Weston was a monumentally influential photographer for me. His images were pure photography in a way that not many people have ever achieved. And by that, I mean that his images only really existed to be those black-and-white images. That was their only context for him. His photographs were examples of how he saw the world and what he responded to as he existed and worked in the world. For example, a picture of a leaf was not really a picture of a leaf to him, it was an image of lights and darks, shapes and textures. It was a pure abstraction of the world, breaking it down into its parts and then arranging those parts into an image that resonated for him. Even his nudes were treated in the same way; they were about tones and shapes and composition, not about sexuality or even sensuality, thought he was personally very interested in women. Photographically to him, a mountain was no more significant or beautiful than a piece of melted plastic lying in the street. They were both raw ingredients for his visual imagination.
Brett was also a dedicated photographer who lived to photograph. He printed nearly every day of his life, early in the morning before sunrise, and after breakfast, he would go out and photograph. Photography was his life and nothing ever got in the way of that, and he continued this way nearly up until he died. His dad, Edward, was one of the seminal photographers of the 20th Century and in some respects Brett always worked in his dad's shadow. But for many late 20th Century West Coast landscape photographers, his work was probably the greater influence. His beautifully clear and coolly analytical images guided many photographers' work. And with his penchant for Porsche sport cars and dark sunglasses, he was cool, too. If you are not familiar with Brett Weston's images, take the time and look them up. He's worth it.
Wednesday, December 12, 2012
New Photo Backpack
There is a new camera backpack for outdoor photography that actually looks new and is even exciting. It's being made by the new company, MindShift Gear, and will be called the Rotation 180⁰ Photo Backpack. This backpack and company is a collaboration between Mike Sturm and Doug Murdoch, who were designers for Think Tank camera bags, and conservation photographer, Daniel Beltra. I wrote a profile of Daniel for PhotoMedia Magazine in 2010.
The Rotation 180⁰ Photo Backpack is actually more of a system than just a backpack, with several well thought out innovations. The main feature is a separate belt pack that can be rotated out of the backpack and around to the front while wearing the backpack! Backpacks are really handy for carrying heavy loads for extended periods of time, but they are not really convenient to use. This product solves that problem rather neatly. This new backpack will be of interest to anyone who carries their equipment for hours at a time, whether you are a nature photographer or a photojournalist. There will also be a number of worthwhile accessories that will make it even more versatile, including rain covers and tripod slings.
This company and product is actually a Kickstarter project for the moment and will go into production very soon. They've already met their goal for Kickstarter, but they have some rewards packages left, if you want to get in on the action. As of today, they have 20 days left to go.
You can see their Kickstarter project here and you can read more about the Rotation 180⁰ Photo Backpack here.
The Rotation 180⁰ Photo Backpack is actually more of a system than just a backpack, with several well thought out innovations. The main feature is a separate belt pack that can be rotated out of the backpack and around to the front while wearing the backpack! Backpacks are really handy for carrying heavy loads for extended periods of time, but they are not really convenient to use. This product solves that problem rather neatly. This new backpack will be of interest to anyone who carries their equipment for hours at a time, whether you are a nature photographer or a photojournalist. There will also be a number of worthwhile accessories that will make it even more versatile, including rain covers and tripod slings.
This company and product is actually a Kickstarter project for the moment and will go into production very soon. They've already met their goal for Kickstarter, but they have some rewards packages left, if you want to get in on the action. As of today, they have 20 days left to go.
You can see their Kickstarter project here and you can read more about the Rotation 180⁰ Photo Backpack here.
Labels:
backpacks,
Canon,
Daniel Beltra,
MindShift,
nature photography,
Nikon,
photojournalism
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